Maiya currently resides in New York City, where they work as an Associate Video Producer for EPIC Games, creating content for Fortnite, LEGO Fortnite, and Rocket League. Previously, Maiya has worked as a Cinematic Gameplay Capture Artist for Rockstar Games, on titles such as RDR II, GTAV, and GTAVI.
Beginning in filmmaking before transitioning to gaming, Maiya has worked on many types of projects from promos to feature films for production houses including Discovery Channel, Tribeca Film Festival, Docs In Progress, Birds Nest Productions, and Killer Films. Along with their passion for post-production and producing, Maiya also works as a makeup artist for fashion shoots and films, and most notably was the key makeup artist on the feature film Martin Eden.
As the founder and president of the Virtual Production Club at Sarah Lawrence during their college studies, Maiya has always followed industry trends and technological advances to adapt to new workflows and styles of filmmaking. They successfully encouraged the Filmmaking and Moving Image Arts Department at SLC to incorporate these new methods and technologies into the curriculum. Maiya has continued to master the workflow for virtual production utilizing VR trackers and Unreal Engine.
When not working on their next project, Maiya can be found supporting small artists in the local music scene or checking out a new art gallery exhibition.
Beginning in filmmaking before transitioning to gaming, Maiya has worked on many types of projects from promos to feature films for production houses including Discovery Channel, Tribeca Film Festival, Docs In Progress, Birds Nest Productions, and Killer Films. Along with their passion for post-production and producing, Maiya also works as a makeup artist for fashion shoots and films, and most notably was the key makeup artist on the feature film Martin Eden.
As the founder and president of the Virtual Production Club at Sarah Lawrence during their college studies, Maiya has always followed industry trends and technological advances to adapt to new workflows and styles of filmmaking. They successfully encouraged the Filmmaking and Moving Image Arts Department at SLC to incorporate these new methods and technologies into the curriculum. Maiya has continued to master the workflow for virtual production utilizing VR trackers and Unreal Engine.
When not working on their next project, Maiya can be found supporting small artists in the local music scene or checking out a new art gallery exhibition.